SHALLA Magazine
Winter Blooms Issue & Blank Canvas Issue








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THE ART OF SHORT FICTION What is it? Author Charles Blackstone tells.

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WRITING GREAT SHORT STORIES Elizabeth Kadetsky who teaches at Sarah Lawrence College and at Columbia University’s School of Journalism serves up some advice.

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CRAFTING CHARACTERS THAT JUMP OFF THE PAGE Punching up your fiction? Where there's a tipster, there's a way. Discover Robert Gregory Browne's secrets to getting multiple book deals.

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BIOFICTION INTRODUCED Even as she receives 5 stars on Amazon for Trine Erotic while editing/publishing Entelechy: Mind & Culture, Alice Andrews takes time to chat about the esoteric world of this mind-bending read.


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Here's our 2008 winner of TOP PICK!


duotrope.com

“Duotrope Digest ”

"...think of Duotrope’s Digest as a matchmaker of sorts. If you write fiction or poetry, we can help you find appropriate markets for your work."
--Shannon Wendt, Duotrope creator

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chats

 










literary agents

 


Meet SHALLA Magazine's Guest Editors who are reading submissions for this issue:

Literary Agents, Alana Lennie and Kelly Sonnack.


A Literary Agent Speaks

On the fiction side, I’m more inclined toward the cozies, novels with a current message and short stories, Michael likes historical works.

Literary Agent, Alana Lennie, explains the kind of books she's looking to represent. Does yours fit that profile?

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Actively Building A List

Beyond voice, I’m always looking for good stories, told in fresh and interesting new ways.

What top Literary Agent Kelly Sonnack from the Sandra Dijkstra Literary Agency looks for in potential clients.

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Tips from a Literary Agent

 

For fiction, I’ll look for writing credentials, such as publication credits (either magazines, literary journals or books published by mainstream publishing houses), writing prizes, or degrees in creative writing.

SHALLA CHATS with literary agent, Ellen Pepus of the ELLEN PEPUS LITERARY AGENCY

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Call-4-Submissions

Most of our company’s success in TV and film has come from the sale of adaptations of books we represent. So it all starts with a great book.

SHALLA CHATS with Kelly Skillen, manager with PMA & Film Management, Inc.


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writers

 

Writing Great Short Stories

One thing that I was terrible at, at first, was dialogue, though it ’s odd because I was a journalist and consummate eavesdropper.

How Elizabeth Kadetsky, award winning author, learned to write beautifully.

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Crafting Characters that Jump Off the Page

It's been awhile since I won the Nicholl, but it certainly changed my life. For about a month after I won, my phone rang off the hook – agents and producers asking to read my script.

Luckily his screenplay was shelved by Showtime, otherwise, would he still have turned to writing fiction?

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Writing the Novel vs. the Screenplay

A screenplay unfolds visually – you have to find visual depictions of plot, relationships, emotions, and themes. You have to do that in a novel as well, of course, but a novel gives you some extra dimensions...

SHALLA CHATS with author & screenwriter Alexandra Sokoloff

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The Art of Short Fiction

Usually the stories that work best don’t try to solve every single problem a character’s ever had, but maybe just try to get through one important thing, which, of course, has implications for every other thing in the character’s life.

SHALLA CHATS with Charles Blackstone

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Writing Ha-Ha Comedy

Go to comedy clubs and hear new comics. Listen to how they are telling their stories and what the audience is reacting to in their presentation.

SHALLA CHATS with Gordon Kirkland

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Flash Fiction: The Ultra-Short Story

Flash fiction is like a jolt of espresso vs. a tall grande or the big gulp.

SHALLA CHATS with Julie Ann Shapiro

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editors

 

Biofiction Introduced

And it doesn’t take a scientist to know that when we read about love and beauty, jasmine and sandalwood, cedar, sage, and wine, it can evoke a primal place in us.

Alice Andrews explains this type of fiction...

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Editing for Cherry Bleeds

 

The famous Woody Allen quote, “85% of success is showing up”, I took that very seriously and published every Wednesday.

 

SHALLA CHATS with Tony DuShane

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Editing for The Rose and Thorn Literary E-zine

 

We offer a free newsletter which comes out bi-monthly and interactive message boards with a particular emphasis on poetry.

 

SHALLA CHATS with Barbara Quinn

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Editing for Thieves Jargon

 

My goal right now is to publish a story that wins the Million Writers Award, which happens every year, and honors the best writing that’s been run online.

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SHALLA CHATS with Matt DiGangi


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Editing for The Houston Literary Review

I am especially interested in the neo-narrative style as created by Stanley Berne and Arlene Zekowski.

SHALLA CHATS with Bill Brocato

 

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Editing for Brilliant Book Press

In general, I love quirky, entertaining, fun to read stories.

SHALLA CHATS with Kristen Bailey

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Introducing Fringe Magazine

For me, a literary story takes us past our comfort zone, a quality most people reading commercial or genre fiction are not looking for.

SHALLA CHATS with Sarah Miles

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Advice to Writers: from an Editor/former Book Publisher

In summary, three vital concepts for the process: Persist; Trust; Revise!

SHALLA CHATS with Seamus Cashman

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Acquiring Esoteric Nonfiction

Aleister Crowley, an early twentieth century magician coined the term magick as a way of differentiating magic used to later reality from stage magic or illusionist work.

SHALLA CHATS with editor Taylor Ellwood

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From the Asylum Books and Press

The important thing is for there to be something about it that just isn't normal.

SHALLA CHATS with editor Katherine Sanger

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